Untitled
online performance 2021
Escribing past experiences, I accidentally wrote a score for a performance.
Video, 02:51 min.
Other work (selection)
Untitled
online performance 2021
Escribing past experiences, I accidentally wrote a score for a performance.
Video, 02:51 min.
Was hier geschieht?
(What is occurring here)
sound piece 2018
This is a sound collage I compiled in response to hearing Orbán Viktor, the prime minister of Hungary, uttering hostile words during a break in a meeting focusing on migration, security and defense policies, held by the European Council. All sounds included were found on the internet.
Was hier geschieht?
(What is occurring here) Part two
sound piece 2021
The first sound collage in this diptych acquired a different meaning after the covid-19 pandemic, and I felt a continuation was appropriate to address this. The second piece is also underscored by the track “Hopelessness” by Anohni, a song which (unfortunately) seems to be ever relevant.
Piano dynamics
sound performance (excerpt) 2020
As part of group aponi, I wrote a score for a former piano. The piece is a play on and with words that emphasizes power dynamics through dynamics in music notation. Performed by Laura Bleck, Arash Qilich, Suyeon Kim, Behshad Tajammol, Julija Paškevičiūtė and myself. The recording serves as a documentation from a live performance and should not be considered a sound piece by itself.
Foley stories: Viccxplicit Vafabulations
sound design (excerpt) 2019
Foley stories: Viccxplicit Vafabulations is an ongoing series in collaboration with Vafa Aminikia. I am designing the soundscapes, giving nothing more than a few key words to indicate direction, and Vafa later translates the sonic story intowritten narration.
The recording is from a live performance of Episode 1 broadcasted on Radio Angrezi and should not be considered a sound piece by itself. Excerpt from a 25 minutes long performance.
Surplus loop
sound performance (excerpt) 2018
I placed a microphone near an amplifier and, using coins, played the resulting audio feedback as an instrument. The rapid accumulation and acceleration of sonic frequencies is used as a metaphor for the fixation with economic growth. Excerpt from an approximately 20 minutes long performance.
Read on
https://viccrepasi.website
