In the engraving "Epimetheus opening Pandora's Box" by Giulio Bonasone, we witness the imagination of a 16th-century artist reinterpreting the tragic tale wherein humanity is plagued by emergencies. Similarly, five centuries later, two artists in their studio reimagine his work, transforming Epimetheus into a feminine androgynous figure of the 21st century.
This reinterpretation serves as both a reminder and a starting point for a discussion about one of the most elusive feelings of our times: Spes, the last entity to escape the vessel and the human embodiment of Hope.
Hope often feels elusive, perhaps even cringe-worthy, given the overwhelming global crises we face. Its symbolism has largely been reduced to portrayals of individuals waiting with wide, expectant eyes.
Yet upon closer reflection, hope is not a passive emotion; it's the driving force behind any action. We would argue that without Hope, there is no impetus to act.
