Streik Academy (2009)
www.thealit.de/lab/streik_academy/
To strike means to end what is unendurable. It can serve to establish improvements, point to alternatives or, as a symbolic action, attract public attention. It relies on collective organization or, if one "goes on strike alone,” at least on publicity. It can be part of an organized strategy, as a powerful threatening gesture, or a self-empowered wildcat strike, independent of institutions. And by the way, becoming a woman (and as we know, one is not born a woman) is work, too. But what happens if one is an entrepreneur in one’s own right and markets oneself? In any case: striking (itself) is work and a public activity too.
Konzept: Andrea Sick, Ulrike Bergermann, Kathrin Wildner
Contributors: *durbahn, Ana Hoffner, Andrea Sick, Beate Engl, Bernadette La Hengst, Birgit Kiupel, Brigitte Dunkel, Bärbel Schönafinger, Carsten Does, Christine Hanke, Christine Kriegerowski, Christine Woditschka, Claudia Burbaum, Claudia Reiche, Doro Carl, Efthimia Panagiotidis, Eva Egermann, Gili Ben-Zvi, GirlsOnHorses, Halina Kliem, Helene von Oldenburg, Ingrid Molnar, Irmela Blaschke, Kathrin Wildner, La Cumpanei, Maren Grimm, Marianne Schuller, Melanie Mehring, Muchtar Cheik Dib, Receiver Fist, She She Pop, Tere Recarens, Ulrike Bergermann, Ulrike Ertl, Ute Holl, Wiebke Johannsen, bildwechsel
Websites: Streaming
Labs:
Re Capitulating. queer (2024-2025)
The Art of Emergency (2022-2024)
COAPPARATION (2019-2022)
Debate! Performing Antagonisms. Part 2 EN/DE (2018/2019)
DEBATTERIE! Antagonismen aufführen (2016/2017)
Ordnung // Struktur (2014/2015)
>Schutzraum< << Politik >>> Ästhetik <<< Medien >> (2013)
quite queer (2011/2012)
Was ist Verrat? (2010/2011)
Streik Academy (2009)
Prototypisieren. Eine Messe für Theorie und Kunst (2008)
Trans-European Lab: do not exist: europe, woman, digital medium. (2006/2007)
Überdreht. Spin doctoring, Politik, Medien (2004/2005)
Virtual Minds. Congress of Fictitious Figures (2004)
Eingreifen. Viren, Modelle, Tricks (2003)
Technics of Cyber ‹ › Feminism. ‹mode=message› (2001)
Hand. Medium ¬ Körper ¬ Technik (2000/2002)
Serialität: Reihen und Netze (1999)
Tischsitten (1998)
Künstliches Leben:// Mediengeschichten (1997)
Fernerkundung. Aufzeichnungen und Entwürfe von Reisen (1996)
Ausdruckstechniken. Organisation des Innen (1995)
Maschinen. Künstliche Führungen zu Buch und Schrift (1994)
Konzept Art von Frauen. Künstliche Führungen (1993)